Zoeken

… jarenlang les gegeven aan de AKI in Enschede. Klaus Versteegen's (Lisse, 1943) paintings are colourful and often show simple shapes. His work is seen as 'a continuous search for a balance between form and colour'. This search yields up paintings with diverse imagery, but all of which seem to be related to each other by the repetition of certain colours and figures. In addition to being an artist, Versteegen was also a teacher at the AKI in …

… jarenlang les gegeven aan de AKI in Enschede. Klaus Versteegen's (Lisse, 1943) paintings are colourful and often show simple shapes. His work is seen as 'a continuous search for a balance between form and colour'. This search yields up paintings with diverse imagery, but all of which seem to be related to each other by the repetition of certain colours and figures. In addition to being an artist, Versteegen was also a teacher at the AKI in …

… of rhythm and melody is abstract but suggests a story. In doing so, Geurts superimposes the colours as in the timbre of different instruments: calm tints indicate the basic tone where the more pronounced colours solo over them. There is always transparency so that, just like with a musical ensemble, …

… of rhythm and melody is abstract but suggests a story. In doing so, Geurts superimposes the colours as in the timbre of different instruments: calm tints indicate the basic tone where the more pronounced colours solo over them. There is always transparency so that, just like with a musical ensemble, …

… the chimneys of factories. Those elements are always idiosyncratically displayed in terms of colour and structure, and often placed on diagonally angled patches of colour. … Marena Seeling … Marena Seeling …

… of rhythm and melody is abstract but suggests a story. In doing so, Geurts superimposes the colours as in the timbre of different instruments: calm tints indicate the basic tone where the more pronounced colours solo over them. There is always transparency so that, just like with a musical ensemble, …

… of rhythm and melody is abstract but suggests a story. In doing so, Geurts superimposes the colours as in the timbre of different instruments: calm tints indicate the basic tone where the more pronounced colours solo over them. There is always transparency so that, just like with a musical ensemble, …

… vormen in diepe en warme kleuren inspireren tot een moment van kalmte. Lines, shapes and colours are largely intuitively created in the work of Charlotte le Fèvre (Haarlem, 1954). The … case, what reaches to the viewer is in the mood of the piece: balanced forms in deep and warm colours inspire a moment of calmness. … Charlotte le Fèvre … Charlotte le Fèvre …

… of rhythm and melody is abstract but suggests a story. In doing so, Geurts superimposes the colours as in the timbre of different instruments: calm tints indicate the basic tone where the more pronounced colours solo over them. There is always transparency so that, just like with a musical ensemble, …

… regularly found in his paintings. The painting “Astronomical unit” is at first glance a mess of colours and shapes. Yet the similarity to overlapping leaves in a forest is also clearly evident. There is depth, and the colours and shapes of the 'leaves' differ, but together they form a whole. … Ramon van de Werken …